NEWS | “China Good Design” Award 2015-2016 Winner Exhibition Held in Shenzhen



"China Good Design” Award 2015-2016 Winner Exhibition (Shenzhen) was held on April 21, 2017 in the main venue of Shenzhen Design Week. With the curation concept of “The Path to Success”, this exhibition has been presenting winner selections of China Good Design Award of the years 2015-2016 and Red Dot Award: Design Concept 2015-2016. 


Shenzhen Design Week is hosted by Shenzhen Municipal Government, organized by Shenzhen City Design Promotion Office, supported by UNESCO Creative Cities Network and co-organized by various international design agencies (such as ico-D) as well as associations, colleges and institutions related to design industry in Shenzhen. It is a world-scale great design event.

Over 200 designers from more than 20 cities worldwide attend the exhibitions, forums, workshops,etc. These cities include London, Paris, Helsinki, Berlin, Montreal, Detroit, Seoul, Nagoya, Beijing, Shanghai attended the exhibitions, forums, workshops, etc. There were more than 2,000 works exhibited in 5 pavilions within Shenzhen. As the main venue, i-Factory at Shekou displayed the Winner Exhibition of “China Good Design” Award 2015-2016. 

The Path to success

(“China Good Design” 2015-2016 Winner Exhibition)

April, 2017

Message from the Curator

“The pursuit of superlative design brings you success” has been the eternal philosophy spread from Red Dot Design Award to the young designers and companies for over 60 years. This philosophy is now extended in our "China Good Design" (CGD) Award.

The CGD jury members, as the top design figures of their own countries and jurors of international design awards organized by Red Dot, will gather from various countries and regions around the world annually. They select around 100 excellent designs from thousands of entries.Only the winners will be awarded with the honor of "China Good Design".


The logo of "China Good Design" Award is represented by the "Eight Diagrams" of Chinese traditional culture and philosophy concept. This logo delivers a message – designs which not only meet the Chinese aesthetic needs but also fit into their culture genes will definitely be the most successful ones in the Chinese market. 

On the stage of "China Good Design" Award Ceremony, the G-shaped road inspried by the logo is called as “The Path to Success”. Each winner,    when walking on this path amidst the applause, will be awarded with CGD certificates and trophies by the jurors. Through this process, they will be able to realize the philosophy of “the unique path to success”, which is “the pursuit of superlative design brings you success”.

“Design for future” is the theme of the first session of Shenzhen Design Week. For Chinese designers of our generation, the word “future” is more or less filled with optimism. In the era where financial crisis is spreading and the price advantage is losing; where enterprises and governments are heading for the transformation of innovation and value, we need designs, especially problem-solving designs more than in any other times. 

We realized that the China Good Design winners have been trying to solve the problems in China. They have been dealing with problems between mental culture and material consumption; serving more people with higher-quality designs; changing the bored visual environment with sophisticated designs; helping the Chinese people enjoy the leisure oriental life under the stress of global competitions.    Their creative works are not only professional, but also deep-going.  Based on the oriental philosophy and upholding the international standards, these designs interpret the connotation of “China Good Design”.

Now, we bring these designs to Shenzhen, wishing to communicate with all the professionals of design industry. Let us embrace the challenges ahead together.

Curator: Chen Haoyang (C.R.)


Let’s take a look at parts of the exhibition works!

Meditation Seat Ware

Manufacturer: KUKA

Designer: Gao Fenglin

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This is an original and novel piece of furniture. It explores a new sitting posture from an ergonomics point of view to help users sit at ease in a cross-legged position. The ancient Chinese used to sit cross-legged in meditation to integrate the body into an organic whole for better concentration, in pursuance of enlightenment on a spiritual plane. On the basis of these cultural traits and habits of oriental philosophy, the design of the Meditation Seat Ware was conceived in the hope that it can help the users maintain the energy of the body through maintaining good posture. This allows the users to contemplate the ancient oriental way of life, re-examine the meaning of life and impact exerted on cultural traits and habits of users. Though Meditation Seat Ware has no backrest, research on ergonomics suggest that sitting in this position, the spine is naturally upright and relaxed, allowing the user to relax, and maintain in a state of inner peace. Although modern people are still used to sitting cross-legged, there is still a lack of corresponding furniture, Meditation Seat Ware fills the gap.

Modular Pillow

Manufacturer: Guangzhou Eurasia Mattress & Furniture Co., Ltd, China

Designer: Guangzhou Mrz Creative Culture Co., Ltd. 

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Mr.Z Modular Pillow is comprised of 5 basic modules and they are named A, B, C, D, E based on their shape. Each module is made of different materials and of different height. By combining these modules, you can get a complete set of pillow. After many rounds of experiments by changing the 5 modules in multiple ways, backed up with scientific data. The result is 6 ways to combine the modules so as to cater to the different needs of the users under different sleeping posture. Different modules serve different functional needs (for instance, giving the head a sense of support for the shoulder and neck, letting the pillow hold the head in a comfortable and cozy manner and etc.).

By using buttons, connecting fabric, elastic straps and button fasteners, different modules are seam less connected. The pillow also has a height pads, so that users can adjust the height of the pillow based on the sleeping conditions and ergonomics factors at ease.

LED Lighthouse

Manufacturer: belaDESIGN, China

Designer: belaDESIGN, China


This table lamp is made entirely of wood. With a simple style, the characteristic of natural wood is accentuated. The lamp shade conceals partly the LED lamp beads, light is reflected by the concave portion of the holder and diffused such that the wood visually becomes the source of the light, and the light becomes unexpectedly soft and comfortable, and the grains becomes clearer and more beautiful under the light. As Shakespeare once wrote in Sonnets, love is an ancient lighthouse that shines eternally, and we need such a beacon to illuminate our dull lives.

Pure Stationery Set

Manufacturer: KACO, China

Designer: Fan Lin, China


Pure Stationery Set is conceptualized to depict the most essential state of a pen with the simplest design, which has been rigorously thought out and elaborated to find optimal balance between brand, price, aesthetics, technology, material, and process.

In addition to the basic functions of writing and storage, its soft touch of rubber paint and silicone conveys an experience that is fancy, interesting, and modern.

Grace Armchair

Manufacturer: Shenzhen ZiZaiJia Science and Technology Co., Ltd, China

Designer: In-house Design


Grace Armchair is a new interpretation of Chinese round-backed armchair by giving up its original masculine solemnity while applying modern design language to indicate its feminine softness. Compared with traditional round-backed armchairs, Grace Armchair is smaller in size, softer in lines, gentler in details and more graceful in appearance, thus giving people a more amiable feeling. The improved size and shape matches better with the size of modern living spaces and is also easier to move.

In order to create a continuous smooth line of the chair seat to legs, it uses Chinese traditional tenon craft which is a comparatively difficult technique requiring pure craftsmanship. The outward tilting seat as well as the shape of side and back improves the seating comfort by pursuing comfort and perfection in details.


Curator: Chen Haoyang (C.R.)

Project Manager: Xie Jiaqi (Moki), Yi Yongdong (William)

Exhibition Manager: Wang Jiabao (Ryan)

Visual Director: Lin Jian (Justin)

Designer: Zhang Siyi (Sivia), Huang Biyun (Eva)

Customer Manager: Weng linlin (Lynn)